exhumed 77 ost frond *riddles of the sphinx* magick mike ratledge unfurls coils of arp, moog & vcs-aks via denys lucifer, irvings hacked z-80 sequencer these post-soft machine plumes spiral in stasis to the frame pans and lockdown maddoxs & mulveys dialogue like se17 dunes the concentric riddle of the missing original master tapes ... film reel audio prised from the bfi vaults & transferred straight to zeros & ones by hieroglyphic happenstance…this acrobatic dredge has revealed more than enough mercury to further protract the riddles within. *you ve got my number if you need anything* ... ibm *the films ground-breaking electronic score, by the soft machines mike ratledge, was composed on synthesisers which were developed in collaboration with denys irving (the man behind the mysterious and controversial 1970s band lucifer).

zweite remix-maxi zum grandiosen cosmin trg album gordian . die holländische legende legowelt erschafft ein zeitloses techno-monster der superlative in post-detroit-manier, während miles whittaker, aka miles aka mlz sowie mitglied bei pendle coven und demdike stare, eine superbe demonstration deep-bassiger techno-dub-epik erzeugt.

egyptrixx gives a glimpse into his forthcoming second album on night slugs with the vinyl-only cut *water (reduced)*. the hi-definition crystalline world of his previous album *bible eyes* has sunken, submerged. *water* takes place in some vast molten expanse, a subterranean electrical storm expressed as acid-tech. this 12 inch features the reduced dub, stripped of melody to for full hypnotic effect. the full version can be heard on the forthcoming album, titled *a/b til infinity*. on the flip: helix keeps bootlegging our records. he cuts up the masters and edits them up like fruity loops lego, applying the same post-timbaland stutter-logic that was amplified so dramatically in 03-06 grime. here he puts his hand to egyptrixx blastbeats-heavy *adult*, also taken from the forthcoming *a/b til infinity* lp. the results are extremely punishing but compelling listening.

eine serie von remixen wird die clubtauglichkeit des jüngsten cosmin trg meisterwerks *gordian* unter beweis stellen. den anfang machen berghain resident-dj marcel dettmann und der derzeit vieldiskutierte engländer lee gamble mit einem techno-leckerbissen zwischen post-detroit und oszillierenden klangillusionen.

guess who is back? hector couto is back! the amazing new ep from our main man hector and fantastic remixes by sidney charles and siwell. this is the post summer material diamond people!

manche sagen post-dubstep oder bass music dazu, andere nennen es techy deep house - wie auch immer, heitzberg theorem aus muenchen haut hier unglaubliche club-banger raus, die mit superschweren baessen und trippigen vocals gespickt sind.

vol.3 of vinyl sampler from sprinkles remix collection queerifications&ruins (mule musiq cd42). the remix for indie rock band ducktails is straight deep house sound than usual her style, but its definetly most clubby remix from sprinkles. it will be instant house classic! on the another side, the remix for adultnapper is already classic. its typical style of her house music.

jackson & his computerband entstand im dunstkreis der letzten disco-funken der french-house-bewegung, aus dem auch daft punk und phoenix entsprangen. jackson zerlegte den filter-house seiner vorgänger und vermischte orchestralen bombast, techno und gothic-hiphop zu einer eigenwilligen mixtur, die einen hauch von post-millennium-barock in den rave zurückbrachte. doch im gegensatz zu daft punk und phoenix verschwand jackson danach in der versenkung, um nun endlich - als neuberliner - den langerwarteten nachfolger abzuliefern. *glow* ist ein lustspiel aus musikalischen obsessionen und furiosem vergnügen, das nur jemand erzeugen kann, der mit hardcore-techno sozialisiert wurde, aber im laufe seiner entwicklung zeitlosen pop und den unklassifizierbaren funk eines prince lieben lernte.

three years ago, baths dropped his startlingly beautiful debut, cerulean. released on anticon, the record blurred the line between post-modern pop and the la beat scene with devastating emotional clarity. its tone was as celestial as its album title, taken from a shade of blue typically used to describe the sky.
cerulean earned year-end best-of recognition from pitchfork and the onions a.v. club and established chatsworth-raised will wiesenfeld as one of the finest young composers (and falsettos) in los angeles. his sophomore album, obsidian, finds him emerging as one of the most complete artists of his generation. as you might expect, the name hints at darker overtones. the mood is shimmering and pitch-black, the lovely blood flow has turned into lava.

bitchin bajas, das electro-duo aus chicago, meldet sich mit einem neuen werk zurück - bitchitronics. und sie erreichen damit eine völlig neue dimension der ambient/post-organic/electronic und drone-musik. das neue album kommt als lp und tape bei drag city heraus.

chicago rhythm boxes are melting with the fragile soundscapes of post-new-wave modernists.

own label of the american artist r. datri aka realmz producer/dj/frequency architect in the realm of techno, electro, experimental, ambient, post industrial and various other ineffable sound creations.tending toward cinematic, surrealistic, dream like worlds with a strong focus on sound design and vibe.

nach veröffentlichungen auf planet mu, super und ninja tune sowie remixen für franz ferdinand, wild beasts, clock opera oder aluna george veröffentlicht der junge, hochtalentierte produzent raffertie alias benjamin stefanski nun endlich sein debütalbum auf dem londoner label. musikalisch spannt der brite auf den insgesamt dreizehn tracks des albums einen spannenden bogen aus house, bass, post dubstep und electronica.
pressung auf weißem doppel-vinyl, mp3 download-code inklusive.

from deep dungeon to post-detroit techno tracks by juho kusti, s100, imugem orihasam and epiphany

leading up to the release of their next album, tribazik return with the remx ep spacetime collapse, featuring remixes from such electronic royalty as venetian snares. tribazik are no newcomers to the spotlight. having supported influential post punk band killing joke on their european tour and having previously enjoyed reviews from rock sound, kerrang and terrorizer on their last album all blood is red, mixed by andy gill, of gang of four, the band are establishing themselves as a force to be reckoned with.

promising new label delivering hot hydraulic post-jack beating madness for both body and soul. many do house today ... few are fresh ... check!

andrea tirone, the 27-year-old italian songwriter and producer behind mind enterprises, is a perennial outsider. forming a post-punk band in his teens, he soon started to crave the uks more vibrant music scene. two years ago he decided to leave his family and friends in italy, london, for tirone, signified freedom, and a place where you could be surrounded by other oddballs and music obsessives, possibly even make a career out of it too.
comes with download code for all tracks.

beautiful and unrelenting, understated and overwhelming, mr. osborn delivers on the promise ofall of those adjectives with back 2 here. four detroit inspired compositions guiding your night to all of the right places, from dusk to sunrise. back 2 here bridges an intense emotional resonance from the thundering physicality of the club, the purple skied, clear summer after hours straight on until a post-party morning breakfast. with each new release, todd proves himself one of the true alchemists of electronic music

some more excellent modern house tracks from the north! boska with his second release on love od, and slowly gets a reputation for himself as a trustworthy provider of quality music on the post bass, nu-funky, what-is-the-new-name-for-house-music-this-week -circuit. did collaborations with studio barnhus, mental overdrive, asma maroof (nguzunguzu) attented the rbma, got picked by several cool festivals. boska is a name to watch for sure!

ricardo villalobos and frost & einzelkinds take on flying turns by philadelphia based post-punk band crash course in science, originally released in 1981 on the signals from pier thirteen ep. limited first pressing on picture vinyl.

max essa returns to is it balearic..? home to some of his more balearic moments most notably the epic panorama suite. the a side is dovodah! which begins with some nu-med atmospheres and acoustic guitar conjuring up 80s italian beach parties. the loose percussion and a heartfelt vocal (calling the unmistakable sound of dovodah!) carry you along before dropping into an early 90s italian progressive vibe. genuinely a real post sunset bomb.

der vorabtrack made to stray aus dem neuen album cold spring fault less youth schlug in der weltweiten trendszene ein wie der blitz: von pitchfork bis nme, von fact bis resident advisor überschlugen sich die aufgeregten lobeshymnen zum ersten neuen mount kimbie material seit zwei jahren. das visionäre duo, seit seinem debüt als neue vordenker in sachen elektronischer musik anerkannt, hat die schwammige schublade des post-dubstep endgültig verlassen und entflieht mit live-instrumentierung, warmen keyboardsounds und geerdeten schlagzeugbeats der enge des dance/electro-kontextes. auch die verpflichtung des enigmatischen vokalisten king krule dürfte ihren anteil daran haben. die elf neuen mount kimbie tracks wirken reifer, selbstbewusster und noch mutiger, und ihr wechsel zu warp wird ihre entwicklung hin zu noch ganz anderen klanggefilden, kontexten und konstellationen weiter beflügeln.
doppel-vinyl im klappcover, inklusive mp3 download-code.

lost paradise delivers a modern execution of our post-disco dance music culture, maintaining references to the past and looking for the oasis on the horizon.
lp003 begs the question, do you feel good? we think after playing these, you are going to feel a lot better. volta cab presents i feel good in my skin + i feel loved, two deep and groovy house cuts with remixes from severino & ray mang, dead rose music company and kohib. the 12 inch release contains deep, peak, dark and cerebral flavors to suit a variety of your house music needs. we hope you enjoy and remember, from the moment i walked through the door, i knew what i was looking for, a party that would take me away!

hafiza innocenceis olugbenga’s debut release. having built a following djing at festivals and clubs worldwide, crafting remixes and producing mixtapes, olugbenga’s music draws on elements from techno, gospel and the claustrophobic soundscapes of post-rock.

introducing haraket, a 5 piece from south london who are set to release their debut 12 inch single on melodic recordings this spring. the band emerged from the creative chaos of school and college bands in and around peckham that have already given the world king krule. this is the first in a series of releases with melodica recordings, with an album due next year. haraket fuse wall-of-sound dynamics with often delicate source material, moody electronics, programmed beats and effected vocal lines. think a post dubstep version of early underworld or a certain ratio reinvented by the new digital century.

only vinyl pure hypnosis! fabrizio lapiana still shows all his passion for the musical journey. as the title of this ep confirms, hearing this release you enter a tunnel of refined sounds and post modern atmospheres. getting out will be very difficult.

as a prelude to the upcoming release of legendary technoist kirk degiorgios sambatek project, far our has brought together a globe trotting cabal of techno auteurs to remix selected tracks from the album delivering a straight up club kut 12 inch of pure sonic devilment. from detroit don rick wilhite, fresh face barcelonan duo nx-1 and londons mercurial post sub innovator spatial, these remixes take the sambatek template and filter it through the producers distorted visions of what carnival at berghain sounds like.

selected advent deal, six brand new post-technopop tracks from the borft universe!

exploitation is the new film by dutch independent filmmaker edwin brienen. enfant terrible produced the soundtrack for this gothic-noir satiric fresco. 90 minutes of music to be enjoyed both as true soundtrack as well as a sequel to previous enfant terrible compilations... but more dramatic and ritualistic in the way the record is building up. it will please fans of minimal electronics and (post) industrial music but also moves into different styles such as idm, tekno, angst pop and chanson, while always keeping a dark and cold mood and/or dream state feeling throughout... limited edition of 250 copies!

alessandro parisi recorded this album just with a roland tr-707 and a roland jx-3p. the result is impressive. for lux rec it was worth the labels first lp. the heritage from his home in the northeast of italy is clearly present in the music of parisi. back in the late seventies and early eighties pordenone was an industrial city with a vivid underground post punk and wave scene. cold weather electronics. fog and darkness surrounds the place to this day and deeply pervades this record: the history of a city called draconia. who will do wrong shall not be forgiven. limited to 250 copies, it comes in a red vinyl double 12-inch outfit. free download included!

classic jel ford release from 2003 - 5 cuts of pumping techno on double 12 inch vinyl.

bereits mit ihrem debüt fever to tell avancierten die yeah yeah yeahs vor zehn jahren zur neuen hoffnung der indie-rock-szene - insbesondere jener ihrer heimatstadt new york city. zwischen ihre mixtur aus rock n roll, post-punk und urbanem blues presste das trio um die charismatische performerin karen o einen großen brocken garagenrock und schuf so ein musikalisches konzept.

ausgehend von einer großen liebe zu drone, shoegaze, post rock, frühen synthie-klängen und der ausufernden musik der 70er, wächst die klangwelt von conduits zu etwas größerem als der summe ihrer einzelteile: glockenartige gitarren, fließende drums, analoge synthesizer, progige basslinien und eine wunderschöne weibliche stimme, die stark genug ist, um in den wirbelnden soundlandschaften nicht verloren zu gehen. conduits aus omaha, nebraska, gründeten sich 2009 und bestehen aus mitgliedern von the good life, eagle seagull, son ambulance, neva dinova, cursive und the golden age.
der vinyl-lp liegt eine cd-kopie des albums bei.

das in wolverhampton beheimatete duo letherette machte sich bereits mit diversen eps und remixen für u.a. bibio oder machinedrum einen namen in der globalen elektronikszene. mit >d&t< veroeffentlichen sie nun auf ninja tune ihre neueste ep, die gleichzeitig ein teaser auf das im fruehling erscheinende album ist. remixe kommen von clark (warp), the invisible und dem oesterreichischen act dorian concept. musikalisch bewegen sich die tracks zwischen dark disco, electronica und post-dubstep.

from the hague, cancerdog is bringing back the mid 90s legendary acid planet years of a.o. beverly hills 808303 with hardpounding and menacing industrial (post?) acid bangers and mash. on the flipside of the coin comes star-kid with dark and epic weltschmerz techno swingin soundtracks for the apocalypse, the movie, that is ...

nice price deal !!! already drowning, a song-cycle inspired by various myths & folktales about female water spirits, marks something of a departure for aidan baker. while still retaining his trademark sense of ambience & texture, the tracks on this album are much more structured & song-oriented, embracing a minimalist post-rock, slowcore style & featuring a different guest vocalist on each track.
limited to 300 copies on heavyweight 180 gram vinyl, including free mp3 download code.

combining his heart-piercing songwriter side with a skyscraper of soaring electronics , he takes the listener surfing on an emotional sine wave, an electronic soul testament that earmarks him out as the successor to the thrones long since vacated by massive attack and the aphex twin... two years after his debut album took uk bass culture down previously unimagined roads of introspection, james blake returns with the epic * overgrown*, an incredible album that sees james growing as a singer and songwriter while at the same time returning to the brain melting electronic perfection of his early releases on hemlock and hessle, moving way beyond any post-dubstep pigeonholes to include stunning reinterpretations of both hip-hop and house

orre releases a 12inch mini-album by the inimitable avrocar. cited by radiohead as a prime influence on their kid a album, they also did an acclaimed session for the radio show of the late john peel. the eight songs here are improvised sketches, referencing the psychedelic side of krautrock, harmonious sixties pop and lethargic post-punk. combined with a modern feel of rhythmic progression and production, avrocar effortlessly comes up with songs that are moody, but yet fit many moods. without pretension, straight to your heart and mind, avrocar is a band to be cherished.

brand new music!!! this latest offering of unreleased gems played at dope jams monthly parties features fresh and all-original tracks from some of nys finest practitioners of electronic music. winter sampler 2013 #1 opens with the jerky, post-punk nodding funk of emperor, from the promising and much hyped brooklyn outfit beige, an imminent anthem perched somewhere between house, techno and psychedelic pop—and superseding of all of it with its sheer scope, ambition and originality.

ein wundervolles, vielschichtiges und intensives album mit elf songs zwischen post-rock & melodischem hardcore & punk. inklusive downloadcode.
fuck for vorschusslorbeeren, this is real. (intro)

tropics a.k.a. chris ward first appeared on planet mu last year, following up two eps with the album parodia flare. commended by pitchfork for his lush soundscapes and hazy pop, whats clear with tropics is that he listens to a lot of dance music and he cares about production values. the synth and beat programming is as competent as anything out there, and he avoids lazy indie stylings and one button bontempi organ beats – his are crafted songs, much of the pleasure lying in his gift for dynamic arrangement, which is a joy amid rafts of useful formulaically assembled house tracks.
in common with the general post-financial collapse vibe there is less sunshine in this ep than before, and he has absorbed something from a year of intensive house music listening, but chris essential qualities remain a forward-looking wistfulness, hope beneath melancholy, something even more acutely needed now than before. oh look! here comes winter.

rhythm and melody, the beat and the bass - thats what proper club music is all about. and with current chihouse revivalists galore, its really hard to come up with something really true to the roots, and brilliantly fresh at the same time. recognition recordings, run steadily by jacek sienkiewicz, polands true visionary of contemporary club beats in a world of post-techno, passes its 30th release with this four-track marvel of an ep by one chino

für news from nowhere wagten darkstar den schritt vom digitalen homestudio zur staubigen studioenklave von richard formby, der u.a. für seine ausnahmearbeiten für mogwai bekannt ist. inspiriert von englischem prog-rock und obskurem techno, kreierte das trio - basierend auf seiner affinität für hip hop-produktionen - loops, die sich zu erhabenen arrangements entwickeln. das ergebnis ist ein einzigartiges werk zwischen dark-electronica und post-dubstep, das sich mit den momenten zwischen den momenten befasst und sie auf epische, kaleidoskopische höhen hebt, und das in seiner eigenen raumzeit existiert. die reise ins nirgendwo fängt hier an.
inklusive mp3-downloadcode und poster.

jamie lidell besinnt sich auf seine solofähigkeiten als multiinstrumentalist hinter laptops und analogen synthesizern und liefert ein superbes album mit einflüssen von george clinton, cameo, mtume, new jack swing und bobby brown ab. bereits die teasersingle, das bassmonster *what a shame*, steht seit wochen in den top 10 der deutschen collegecharts und erhält von der fachpresse die prädikate best new track (pitchfork) und *a post-dubstep drunken monster of a track* (stereogum). das jazzthing ehrt jamie mit einer titelstory. nach kooperationen mit cristian vogel (als super_collider), simian mobile disco, beck oder grizzly bears chris taylor und lebensstationen von berlin bis new york, hat der brite nun sein neues zuhause samt studio im traditionsbrennpunkt nashville aufgeschlagen.
doppel 12 inch >vinyl im klappcover, inklusive mp3 downloadcode.

letherette, ein aus wolverhampton operierendes elektronik-duo, veroeffentlichen ihre brandneue ep auf ninja tune als teaser zum im naechsten jahr anstehenden album. nach zwei veroeffentlichungen auf ho tep records und remixen für bibio und machinedrum liefert das duo nun seine bislang staerksten tracks auf der neuen ep. musikalisch liegen die vier tracks zwischen spaced out electronica, house, instrumentalem hip hop und post-dubstep.

12th release from sound of speed (well known as catalogue by vakula & kuniyuki, vedomir, eddie c, kerrier distrikt a.k.a luke vibert) features uks fame cottam! cottam is well known for his sounds that based edit and post beatdown groove. and now he delivers african and carribean feel with his 3trk ep!

massimiliano is back where he belongs. a backbone of live at robert johnson records, pagliaras take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. with this sound palette, a love for hardware and surgical arrangements > magic serials< sees the berlin-based producers on top of his game. while name checking the tools of his work (the serials, got it?), mp unfolds untold stories of love, high spirits and deep meditation that every romantic rave craves for – acid poetry included.

lost paradise delivers a modern execution of our post-disco dance music culture, maintaining references to the past and looking for the oasis on the horizon. lost paradise #2 features two originals from space coast, aka sleazy mcqueen and jorge collazo. *vibe a.m.* is deep and dreamy with live flute and piano, emotive melodies and groovy bass. social disco club and last waltz turn in two completely different mixes, both fit for the late or early hours of the night. *cant get enough sunshine* is a melodic and cerebral ode to mid-nineties new york house but with a twist.
support from q-burns abstract message, b.g. baarregaard, sleazybeats recordings, atnarko, sleazy mcqueen…, ...

when discotheque the volcano was torn down in the hague this year, the bricks and mortar were ground down to a fine powder. in a completely revolutionary process the powder was distilled and filtered by boffins and local music producers to manufacture the music you find on this record. even more surprisingly maybe is that it turns out that the same powder can be both inhaled and injected. i ve just had a bit actually and its not bad. post-post sewer tracks far beyond your wildest imagination.